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The excitement generated by the Byrds at Ciro's quickly made them a must-see fixture on L.A.'s nightclub scene and resulted in hordes of teenagers filling the sidewalks outside the club, desperate to see the band perform.Demo recordings made by the Jet Set at World Pacific Studios would later be collected on the compilation albums Preflyte, In the Beginning, The Preflyte Sessions and Preflyte Plus.Drummer Michael Clarke was added to the Jet Set in mid-1964.
Initially, the band pioneered the musical genre of folk rock on their album Mr.
Additionally, Richie Unterberger has noted that the song's abstract lyrics took rock and pop songwriting to new heights; never before had such intellectual and literary wordplay been combined with rock instrumentation by a popular music group. charts, the single was rush-released by Columbia in an attempt to bury a rival cover version that Cher had released simultaneously on Imperial Records.
The album mixed reworkings of folk songs, including Pete Seeger's musical adaptation of the Idris Davies' poem "The Bells of Rhymney", with a number of other Dylan covers and the band's own compositions, the majority of which were written by Clark. Tambourine Man", the Byrds were reluctant to release another Dylan-penned single, feeling that it was too formulaic, but Columbia Records were insistent, believing that another Dylan cover would result in an instant hit for the group. Author John Einarson has noted that during this period of their career, the Byrds enjoyed tremendous popularity among teenage pop fans, with their music receiving widespread airplay on Top 40 radio and their faces adorning countless teen magazines.
Indeed, the contemporary music press was extremely critical of the Byrds' abilities as a live act during the mid-1960s, with the reaction from the British media during the band's August 1965 tour of England being particularly scathing. In addition, music critic William Ruhlmann has noted that the song's lyrical message of peace and tolerance struck a nerve with the American record buying public as the Vietnam War continued to escalate. His songs from this period, including "She Don't Care About Time", "The World Turns All Around Her", and "Set You Free This Time", are widely regarded by critics as among the best of the folk rock genre.
During concert performances, a combination of poor sound, group illness, ragged musicianship, and the band's notoriously lackluster stage presence, all combined to alienate audiences and served to provoke a merciless castigating of the band in the British press. Author Scott Schinder has noted that, along with Mr. The latter song was even chosen for release as a single in January 1966, but its densely worded lyrics, melancholy melody, and ballad-like tempo contributed to it stalling at number 63 on the Billboard chart and failing to reach the UK chart altogether. being released, Dickson and the Byrds approached Columbia Records and requested that Melcher be replaced, despite the fact that he had successfully steered the band through the recording of two number 1 singles and two hit albums.
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A number of noted music historians and authors, including Richie Unterberger, Ric Menck, and Peter Buckley, have suggested that the crowds of young Bohemians and hipsters that gathered at Ciro's to see the Byrds perform represented the first stirrings of the West Coast hippie counterculture.